Although the Oxford Inflator and the Enhance fader in the Oxford Limiter can both increase the perceived loudness of your audio, they are fundamentally different processes.
This guide explains what each does, how they differ, and when you might choose one over the other.
1. Oxford Limiter
The Oxford Limiter is typically the last plug‑in in your signal chain for mastering or final mix processing.
It provides:
Transparent level control or loudness maximisation
Look‑ahead limiting with adaptive timing
Accurate sidechain processing
Inter‑sample peak detection and correction
Comprehensive dithering options
The Limiter’s Enhance fader:
A dynamic process — reacts to the programme over time.
Works on programme history, peak & average levels, and stereo differences.
Does not add distortion to steady‑state signals.
Allows you to transparently reduce peaks or push loudness without sample overs.
Preserves the impression of transient peaks even when limiting aggressively.
2. Oxford Inflator
The Oxford Inflator is a harmonic enhancement and loudness tool that can be placed almost anywhere in your mix or mastering chain.
It is designed to:
Increase loudness without pumping or loss of presence
Add tube‑like warmth and dynamic excitement
Preserve percussive attack and overall clarity
The Inflator process:
A static process — does not react dynamically over time.
Generates a form of harmonic distortion that increases harmonic density.
Gives the psychoacoustic impression of loudness by mimicking cues we associate with “loud” or “stressed” sounds.
Works well on almost any material — from full mixes to individual tracks.
Key Differences — At a Glance
Feature | Oxford Inflator | Oxford Limiter Enhance Fader |
---|---|---|
Process type | Static (harmonic generation) | Dynamic (time‑dependent limiting) |
Primary goal | Add warmth, harmonic density, and loudness | Increase perceived loudness transparently while limiting |
Distortion | Yes — controlled harmonic enhancement | No distortion on steady‑state signals |
Timing behaviour | No dynamic activity over time | Responds to programme history and peak events |
Best use cases | Add excitement and presence; “fatten” tracks or mixes | Push loudness ceiling without losing transient impact |
Practical Usage Tips
Use the Inflator when you want to add character and warmth while increasing loudness.
Use the Limiter’s Enhance when you want to push level transparently at the final stage without affecting tonal character.
In mastering, some engineers use both — Inflator first for tone, Limiter last for level control.
Related Documentation
Was this article helpful?
That’s Great!
Thank you for your feedback
Sorry! We couldn't be helpful
Thank you for your feedback
Feedback sent
We appreciate your effort and will try to fix the article